In the video, Christine McVie is in a room surrounded by paintings, using a telescope to search for Lindsey Buckingham in the desert. The music video for "Hold Me" features the band in a surreal scenario set in a desert, based on several René Magritte paintings. The song is also included on the 2002 US version, and 2009 UK re-issue of the greatest hits album The Very Best of Fleetwood Mac. The song was eventually re-issued in February 1989 to promote the group's Greatest Hits (1988) package with "No Questions Asked" as the B-side. In the United Kingdom, "Hold Me" was released in July 1982, but failed to chart despite respectable publicity. 31 on the Billboard Year-End Hot 100 singles of 1982. 2 peaking of " Hurts So Good" by John Cougar.) "Hold Me" ranked at No. (Potential higher chart placement was prevented by songs including " Eye of the Tiger" by Survivor and " Abracadabra" by the Steve Miller Band, as well as the No. 4 for a then-record seven consecutive weeks, from Jto September 4, 1982. Released in June 1982 in advance of the album itself, the song became one of Fleetwood Mac's biggest hits in the United States, peaking at No.
HOLD ME FLEETWOOD MAC RELEASE DATE WINDOWS
The two vocalists sang their parts with the studio windows open over the Paris countryside. During one of the recording sessions, guitarist Lindsey Buckingham suggested that he and McVie perform "Hold Me" as a duet similar to " Don't Stop". Inducted into the Rock and Roll Hall of Fame.īrit Awards for Outstanding Contribution to the British Music Industry."Hold Me" was written by Christine McVie and Robbie Patton. Grammy Award for Album of the Year (Rumours). We knew that Fleetwood Mac, as a band, could make another studio record that the world would love. We felt that we should go around this trip one more time because we could. All those words are exactly as they were written in my diaries during the post-9I1 1 period. All the poetry was pulled straight out of the journals from the tour. The reason is there was no time to change stuff. Think of all the bands that charge exorbitant fees. I think the people are putting too much responsibility on the bands for charging too much. The record business is up the whole scene. I mean, if it's being played well, I'm sure the people would like it. The bands that just play blues these days don't seem to be doing anything.
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